A Marlburian Muddle, of sorts.

We revisited the War of Spanish Succession last night, using a revised version of the rules. So we could get to the meat of it all more quickly I deployed the armies in advance, rather than require players to advance in column. The results were mixed, but some new ideas came out of it all, and some mechanisms worked quite well. Of course we still suffer from the same old problem of me forgetting what I've written down.

Will turned up first. Because I'm  nice chap I set up the Anglo-Dutch on his side of the table. Because I had been out most of the day visiting a relative in hospital I didn't have the chance to dream up a clever scenario or even reset the terrain from last week.

I have fiddled a bit with the game turn sequence. This means that when you set up as I have done here, with intermixed infantry and cavalry, the units appear to leap frog through each other but it seemed to work okay.

Will went for a general advance in an aggressive way. Play tests so far have indicated that the Anglo-Dutch perform well if they press the enemy hard.

I got to the line of the stream first, and decided to defend it on my left flank, to take a bit of the sting out of my opponent's shock cavalry.

On my right I tried to exploit a slight numerical advantage with a wide hook, and splashed across the stream.

Around the village Will put in a charge against a unit of my infantry. The cavalry made contact and although being disordered by defensive fire still prevailed and drove the infantry back (I need to look at the factors here, - not entirely satisfactory).

Phil had arrived by now and took over my position. In the centre will charged across the stream and broke the French horse. Elsewhere the infantry exchanged volleys and conversation was had about how to simulate the practice of inducing your opponent to fire first.

The French infantry by the village gave ground steadily.

The firefight over the stream intensified. Infantry units cannot close with the  enemy until they have established fire superiority.

The Anglo-Dutch succeeded in forcing the stream line, but the French cavalry were able to extricate themselves and drop back behind their infantry to regroup.

By the time we packed up the French infantry had performed fairly well, managing to close on their opposite numbers in several places and drive them back, whilst the Anglo-Dutch cavalry was besting the French equivalents almost everywhere.

A not entirely satisfactory game. Some aspects of the rules are functioning really well, others less so. I have an issue calibrating the precise values of the DRMs and how long they last for. The means by which cavalry can break off, rally and regroup need looking at again, as does probably a means to enable units to recover casualties.

In other news I have had delivery of a few packages of Washington's Army figures, receiving some from Will McNally via Phil (thanks Will) and also some from an ebay purchase arranged for me by my chum Tone.

I've also got some Airfix Cuirassiers luxuriating in a bath of paint stripper, and several boxes also winging their way from ebay too, - well 3 boxes for £10+p&p. Couldn't pass them up, could I?

There's Fahsands Of Them. Honest

So to the other reason I went to the National War Memorial Exhibition in Wellington on the Great War.

As part of  the Great War commemoration Peter Jackson commissioned a large diorama of the Battle of Chunuk Bair, which took place in the Gallipoli campaign on the 8th August 1915. This battle was a heroic feat of New Zealand Arms, although it ultimately lead to failure as the ground captured was later lost.

The Gallipoli campaign is a nation defining event for both Australia and New Zealand. It is part of what defines these two countries as independent nations. To say they are key to the national psyche would be an understatement.

The diorama scenery was built by Weta Workshops. The figures are 54mm multi-pose plastic, designed by the Perry twins. The figures were painted by volunteer wargamers and military modellers across New Zealand who signed up to receive a box of figures, paint them to a pre-set standard and return them. As part of creating a nationally relevant memorial for the centenary I have to say that I consider this to be a work of genius. This is a model commemorating a nation defining event, built by the nation.

I was disappointed that there was nothing in the exhibition that talked about how the model was built. I spoke to several locals at the exhibition, all of whom were unaware of how it had been put together, - a missed opportunity to talk about the collective nature of commemoration which should be something we do, rather than is done for us.

The pictures below aren't in any particular order. I didn't know a lot about Chunuk Bair going in, and it was hard to work your way round the exhibit in a coherent way, without going backwards and forwards. The display is open at the top, but with high perspex screens, as you'll see in one of the pictures. This means that to get good pictures you have to hold your camera above the screen and just point. It was easier to get shots by using the zoom for figures on the far side of the display.

The perspex panels also had stickers explaining what was going on, which were informative, but also block clear pictures.

Anyway, here are my pictures without the usual smart-arse commentary, and I'm pleased to be able to share them with you. This is a most impressive piece of work.

A final note. As I said above the Gallipoli Campaign has a national importance in both New Zealand and Australia. It would be easy to forget that other troops from other nations were also deployed and fought. This point is made in the exhibition in a board showing troops deployed. Alas my picture of this isn't any good, so the numbers from Wikipedia are:

345,000 British (including Indians/Newfoundlanders)
79,000 French
50,000 Australians
15,000 New Zealanders

plus 2,000+ Chinese "coolies".

So, as you can see, the campaign was mainly fought by British troops of both regular and service battalions from the New Army. As a proportion of population it is probably the case that the ANZACs were a greater percentage, hence the relative importance. Gallipoli casulaites are dwarfed on our war memorials compared with Ypres and the Somme.

There is a part of the national story, particularly in Australia, that basically still sticks to the line that the British were useless in the Great War, from the officers down, and that the only troops who could be relied upon to do anything were those from the Antipodes. I think that this view has been debunked in the writings of the last 20 years, but I have still found it in on-line resources from respectable Australian Military Museums.

There is a similar potentially sour note in this display. There is a reference to the Glosters wavering and being driven back to their trenches by the Wellington Battalion at bayonet point. Since coming back I can't find a reference to this anywhere (although I don't have access to the official history) and so I do not know whether it is true or not, or whether it falls into part of the Antipodean Great War superman narrative.

I do know that out of 1,000 men the Glosters took over 800 casualties, whilst the Wellingtons took 700 out of 760. You don't need to belittle the bravery of one group of men in order to magnify that of another.

Colouring the Past

During our recent holiday in New Zealand we visited Wellington. Wellington has got two exhibitions commemorating New Zealand's contribution to the Great War. Both were organised by Peter Jackson and the Weta Workshops (if you don't know the latter did the costumes, scenery, visual effects, prosthetics and weapons for the Lord of the Rings).

Due to a timing error, - we stayed in Martinborough the night before and the drive to Wellington was interminable* - we were only able to visit one of them, and I chose the one at the National War Memorial, not the one in the national museum "Te Papa" for reasons you will see in this blog and probably the next.

Peter Jackson is a genius. I thought his achievement with LOTR was impressive before we went to NZ. If you then see how he made the films, and then what he has done with the influence he has gained you have to be impressed. His attention to detail is overwhelming, and he has a clear vision and knows how to tell a story.

One of the controversial things he did for theis exhibition ("The Great War Exhibition") was to take photographs from the IWM collection and have them "colourized". This caused a degree of outrage at the time, with the usual "dumbing down" and "pandering to the masses" type comments. As we all know the First World War was fought entirely in black and white.

Except for in the paintings of the war artists.

And we also tend to forget that in the early days of cinema  Georges Méliès had his films hand coloured, so this isn't actually unusual at all.

Anyhow, I was able to get some decent photos of some of the colourised pictures, and I've posted them below. I was really impressed, and I wish I had taken the time to get good shots of more of them, but then I really wanted to see...but more of that next time.

What do people think?

*The road is very twisty and goes across a mountain range. Apparently Wellingtonians love to go out for a Sunday drive on it, and people with camper vans can only manage about 10mph. What looks like a 40 minute drive on the map is closer to two hours. And we had a nightmare getting out of Martinborough as all the roads were closed for a sponsored walk round the local vineyards.

Back with some WSS

It's been quiet here as Mrs T & I have been away on holiday in New Zealand for the whole of March, and a bit more. Despite the jet lag I thought it was time to get back in the saddle, and re-visit my Marlburian rules, which are intended for COW this year.

Alas re-reading what I last wrote did not bring back a feeling of deja-vu, so this was a re-learning experience all round.

My players were to be Will & Phil, who both braved a wet and cold night to be with me. I put together an encounter battle, with even numbers of units aside. Will got the French (top right) and Phil the Anglo-Dutch.

I've got some extra units on the way once I get my paintbrush back in hand, but this is the first time I've got the horse and foot units in the right proportions. This is a column of French, advancing towards the river/stream.

This is a small column of Dutch.

The "English" contingent marching on to the table.

Finally the last column of French.

Both sides took advantage of being in March Column to press forwards aggressively. The French are winning the initiative rolls, but it makes little difference at this stage.

The cavalry is shaking out into line on both sides. A slip up here with the initiative could cause a lot of problems.

The infantry are getting ready to engage over the bridge at the far end of the table, whilst the cavalry shape up to each other.

Near the village an epic cavalry engagement has started. The Anglo-Dutch have the upper hand, but only just. The buildings are being contested by infantry.

The French cavalry is having the worst of it, but the Anglo-Dutch are becoming tired and are too far away from their supports.

We had to stop with the game nicely poised. As we hadn't met up for a month or more our ratio of chat to game play was higher than normal.

Still, good to be back at the table.